Pardon me, but you skipped the most famous line in the play!

From http://artsbeat.blogs.nytimes.com/2009/08/17/at-the-fringe-when-things-go-wrong/

“… besides introducing a certain kind of spontaneity and titillating uncertainty that can only take place in live performance, what makes bloopers so interesting is the opportunity they provide for the performers to display their quickness, wit or personality, uninterrupted by the dictates of the author. Disasters, oddly, are the only time when the actors are completely in control. I’ll never the forget the star of an Off Broadway production of Cyrano de Bergerac who after his fake nose dribbled off his face in a combative scene, quickly chased it down and repurposed it as a sword, earning the biggest laugh of the night.”

Jason Zinoman, writing for the ArtsBeat for NYTimes.com, has been recounting the fun of “When Things Go Wrong” at the New York International Fringe Festival running through the end of August. I, too, am an avid lover of watching things go wrong.

Antaeus’ ClassicsFests have similar limitations as the NY Fringe. With almost no rehearsal time, our festival plays are staged, still on book and use the main stage production’s set and light plot. Our Classics Festival is one huge obstacle course for our actors. This is one of our most anticipated, popular events to attend and participate in—mishaps and all.

Last year, the actor playing Richmond was stopped by the actor playing Richard III walking out on stage and interrupting him mid-speech. Why? Richmond had accidentally skipped over the “My kingdom for a horse” speech, and Richard III wasn’t going to miss out on performing it. In other readings: an actress had to read her own stage directions when the reader dropped the ball on a crucial action.

Missed entrances, missed lines, incorrect sound cues, partially choreographed fights—all add to the thrill of experiencing something LIVE. This is why the audience loves things going wrong in a show. It is the excitement of watching actors handle the unexpected. This is why I love the theater. A group of people get together on any given evening, and no matter how long the run, this audience experiences a performance no one else will ever see. A collective personal memory. Live is better.

Kendra Chell is a member of A2, The Antaeus Academy’s ensemble, and also works as Company & Administrative Manager of Antaeus.  She can next be seen in The Illusion, directed by David Bridel.

Kendra as Florinda in A2's workshop of THE ROVER, ClassicsFest '08.  Photo by Michele K. Short


Kendra as Florinda in A2’s workshop of THE ROVER, ClassicsFest ’08. Photo by Michele K. Short
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