Academy Spotlight: Tro Shaw

Tell us about yourself (where you’re from, maybe where you studied, how long you’ve been in LA, your favorite credits).
I am a native Berkeley girl, raised by a couple of social hippies in the amazing bay area.  I had a burning passion to study acting from a very young age, and I ended up at Carnegie Mellon University, where I earned my BFA in Acting.  I moved out to New York in June, 2008 and had the great good fortune to be cast as Anybodys in the Broadway revival of “West Side Story” about 3 months into my living in New York.  Being a part of that show changed my life, and it was absolutely thrilling and challenging and very fulfilling.   I had a bit of difficulty adapting to the hussle and rush of the New York lifestyle, and not too long after the end of my contract I came home to Berkeley and gave myself a break.  I drove down to LA to visit a few friends in October, 2010 and I sorta forgot to leave.  Here I am a year later, and I absolutely love it here!  I’ve had an opportunity to direct, produce, act, sing, dance, and even take classes again.  Its been a wonderfully freeing experience.

Tro Shaw

Tell us why you love acting or what made you choose it as your profession, etc.

When I was 4 yrs old, my aunt was stage managing with Berkeley Shakes (now Cal Shakes).  They were rehearsing a production of “Romeo & Juliet” and the director wanted street urchins to be a part of the opening fight scene.  I actually got to stand down center, as a sword fight broke out over my head, and scream out, “Mama, mama!!!”.  My acting was so convincing that my own mother, who was reading in the back of the house, jumped up and ran to me, distressed.  I apparently said, “Mom, I was just acting!” She says that was the beginning of my love for theater, but all I know is that its a passion I’ve had for as long as I can remember.
I decided to make it my career when I saw a production of “Chicago” around my 13th birthday, and was moved by the passion and skill of the two main women.  It made me want to work at my own craft in order to have the flexibility to do any kind of role; singing, dancing, shakespeare, anything.What brought you to Antaeus?}
When I first arrived in LA, I couch-surfed a bit, and ended up more than once on the Joanna Strapp’s couch.  She and I had been friends at Carnegie Mellon, and she has always been an extremely generous person.  She told me about the Anteaus, and how much she enjoyed being surrounded by so many passionate artists.  I also spoke with my aunt, who has always been like a mentor to me in the arts, and she spoke very highly of Anteaus’ work and their overall reputation.  So I decided to audition, and I’m so glad I did.

 
What do you want to gain from the class?  Do you have a specific “problem” on which you want to focus?

My main goal with taking this class is to free myself from self-imposed limitations.  When you’re working in a college conservatory program, its easy to feel that you are limited by your weaknesses, and by your classmates’ strengths.  For example, I always felt like I wasn’t the most emotionally free actress, while a couple other girls in my class were extremely emotionally free.  I also didn’t feel very brave in school, so I am finding myself overcoming some of that in this class.

What do you think of the class so far?
Geoffrey Wade is an amazingly supportive and nurturing teacher.  He finds a way to balance the two components of teaching a class like this (acting coaching and scene directing) with such a delicate and refined skill.  Its lovely to watch him work with others, and thrilling to get up yourself and work with him.  I also feel so lucky to be in a class with people from so many different backgrounds and experiences.  Each actor has a unique strength and struggle, and it makes for a lot of exciting work every time we meet.

Tro in class with Guest Moderator, Andy Robinson

What is your experience with classical theater?  Has class reinforced/changed what you previously thought, or have you learned new things, etc?

I was surrounded by shakespeare from a very young age, and even in elementary school I felt as though the text made sense to me in a way that was somewhat innate.  During my training at Carnegie Mellon I was able to work in great detail on many classical scenes from Greeks to Shakespeare to Checkov to Ibsen to Miller to Williams.  I had the opportunity to play Natasha in a CMU production of “The Three Sisters” with guest director, Vladimir Mirodan, from The Drama Centre in London.  This class has definitely reinforced a lot of my conservatory training, and its been a great reminder to me of some key things, like the importance of giving all you have to your scene partner in order to make something happen between the two of you.  The most successful scenes so far have been when both actors were totally invested in each other and truly responding to what the other actor was giving them.Tell us a fun fact about you or highlight one of your unusual special skills.

I was a gymnast from age 4-12, and I can still do a mean back flip.  Also an aerial (no-handed cartwheel).

Anything new and exciting going on in your life? (doesn’t have to be acting related, can be an engagement, upcoming trip, new dog, etc.)

I just celebrated my one year anniversary with LA and also with my boyfriend, who I met two weeks after I got here.  I couldn’t be happier!Tro Shaw is currently in the Greeks/Shakespeare Classics Class. Auditions for our Spring Semester of Classes take place on January 13th and 14th. Email academy@antaeus.org for more info.

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