Academy Spotlight: Elizabeth Zerebko

Hello hello!

I am Lizzie Zerebko, and I am currently taking the American Classics at Antaeus under Rob Nagle.

After being born and raised in the Pasadena area, I went on to study Theatre at USC. I had a brief stint in London while studying at BADA (British American Drama Academy), which reinforced my love for classical theatre- I’ve never looked back. After graduating in 2010, I worked at A Noise Within as an intern and took classes there for nearly a year.

Certainly my favorite post-graduation project has been “Shakespearience” at the Alex Theatre, a field trip that serves as an introduction to the wonders of Shakespeare. The audiences (1,000+ students each time) are unlike any other- they allow themselves to feel moved by the material, and have no problem verbally expressing it! Their unique energy is overwhelming at times, but ultimately very rewarding. When I was a wee freshman in high school I saw this show myself, and it is a wonderful opportunity to give back. I can’t wait to perform again this coming March. (www.theatricaleducationgroup.com).

I could, of course, tell you that I’ve ALWAYS wanted to be a performer since I was ten months old, yadda, yadda. BUT- what I remember most as the true change in the way I viewed theatre was a daytime student matinee at Pasadena Playhouse’s production of PRIVATE LIVES, directed by Art Manke. The overwhelming beauty, intriguing style, and sublime execution have colored my pursuits through the years, both in acting and directing.

It was from that performance, I believe, that I garnered my conviction that theatre should be beautiful… somewhere at its heart should be the search for and attainment of beauty, or the failure thereof.

My goal is to talk to Art Manke one day and just let him know what a great influence that particular show has had on my development. I hope that I am bound to run into him at some point, as Facebook tells me we have far too many mutual friends. Hopefully I will be able to give him that compliment and validation- after all, as theatre artists isn’t it our mission to affect the individual with human truth for days or years to come?

What brought you to Antaeus?

With this developing belief and the resulting inclination toward the classics, how could I not be drawn to Antaeus? In fact, I had been looking at the classes for years before I was able to audition, even while I was still at school. The welcome I have experienced this fall, paired with the dedication and talent of those I know involved, tells me that I have come to the right place.

My time with the American Classics has been wonderful. I know that I speak for many when I say that the class gives us an outlet where we can be truly excited and challenged by what we are working on. Rob has been astoundingly flexible and supportive, and has let each of us form our personal class journey to fit our needs. As long as the pieces fall within the guidelines of O’Neill, Williams, and Miller, we have been able to take on whatever material we are drawn to- whether a traditional two-person scene, a monologue, or a female version of Death of a Salesman featuring a Wilhelmina Loman. Our guest moderators have been very informative as well, bringing fresh eyes and new perspectives to make even more well rounded scenes.

The level of talent in the student group is truly apparent in the work. I am constantly impressed, as their honesty and willingness have created some of the best theatre I have seen in a long time. Everyone’s positive attitudes also create a nice support system that allows for more risks, regardless of the “success”.

I can walk away from this fall’s class knowing that I have reached for things that have scared me, highly triumphant with some…and no so much with others. I’ve been reminded of the immense detail and continuous thought that separates a good performance from a great one. I’ve remembered my personal weaknesses and my ticks and tried to work through them. AND, in the grander scheme of theatre scholarship, I am walking away with a wonderful comprehensive introduction to three distinct American playwrights, each with their own distinct voice that I had never been able to hear before. I am thrilled. I can’t wait for some High Comedy in the spring.

I will leave you with my favorite quote, shown to me by a dear friend and mentor:

“Far away there in the sunshine are my highest aspirations. I may not reach them, but I can look up and see their beauty, believe in them, and try to follow where they lead.”

-Louisa May Alcott

 

Thank you. Any and all of my information can be found on my website, at http://www.zerebko.com.

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