The Antaeus Academy: Origins & Curriculum

“The Academy is a door into a wonderful community of actors who truly, wholeheartedly love what they do, and I am honored to be a part of it.” -Chris Pine

ABOUT THE ACADEMY: By Jeanie Hackett, Artistic and Academy Director

At Antaeus, we believe mastering the acting challenges of great classics takes a lifetime. And we believe that wanting to take on these challenges is what makes for great acting. Here, we’re constantly putting young artists-in-training together with seasoned professionals — in the classroom, in readings, workshops and in full productions. So that skills, work ethics, inspiration are not just taught but ‘passed down.’

At Antaeus, you learn through study and by osmosis from some of the most talented and acclaimed actors and directors in the country, as you take part in a program that makes the utmost demands on your instrument: voice, body, intellect and talent. Antaeus is a company of artists who share your passion for great acting, great language, great human stories. The exhilaration of this lifelong collaboration—artist to text, artist to process, artist to artist – is what informs our productions and feeds our hunger for exploration and theatrical truth. It’s why an ongoing ensemble company can make theater that can thrill audiences– and maybe even make a difference in the world.

“Taking classes at Antaeus has been an incredibly illuminating and fruitful experience for me. The unique thing about the Academy that I feel is lacking in other courses in this town, or anywhere for that matter, is the inspirational way we are encouraged to look at the text and our characters. Antaeus does not produce “cookie-cutter” actors but inspires us all to think outside the box and really home in our unique selves, which then creates unique characters and a truly spectacular result, which is captivating theatre.” -Rebecca Mozo


ABOUT THE ACADEMY

Academy training programs are for established professionals and upcoming, early-career actors. Our ability to give students the opportunity to explore complex texts in front of an exciting array of esteemed actors, directors, and instructors makes us unique among Los Angeles acting schools. Created in part so that we could get to know the work of younger actors for company projects, actors in Academy workshops become a part of a community of artists who cultivate and nourish a passion for the greatest (scripted!) hits of all time.

Our astonishing roster of ongoing Academy guest moderators includes some of the finest actors, directors and acting teachers in the country: Annette Bening, Alfred Molina, Daniel Sullivan, Stefan Novinski, Kate Burton, Jonathan Lynn, Tom Moore, Jessica Kubzansky, Dakin Mattews, Brendon Fox, Art Manke, Bart DeLorenzo, Gordon Hunt, Austin Pendleton, Nike Doukas, Olympia Dukakis, Susan Sullivan, Michael Hackett, Barnet Kellman, Sheldon Epps, Andy Robinson, Stephen Wadsworth, Mark Rucker, Simon Levy, Jeanie Hackett, Susan Sullivan, Andrew Barnicle, Jeffrey Nordling, Arye Gross, Armin Shimerman, Jean Louis Rodrigue, Rowena Balos, Stephen Collins, Alan Mandell, Stephanie Shroyer, Blythe Danner and Gregory Itzin among many others are regular guests in our scene study and Shakespeare classes.

We believe that working on great material with a variety of experienced teachers is the best way to create dynamic, flexible actors who can excel, inspire, and amaze, whether working on stage, or in film or television. Actors coming to the classics for the first time have the opportunity to become familiar and comfortable with a wide range of dramatic literature and acting styles. Well-trained actors coming to us from graduate programs have the invaluable experience of testing their technique against real-world scenarios: multiple points-of-view, methods — and directors. Thus, the workshops provide both a safe and supportive atmosphere and one that mirrors the realities of the professional world where actors are called upon to adapt to many different styles and ways of working over the course of a career.

Most Academy workshops culminate in invited presentations of scene work for the company; in doing so we hope to foster a community of artists who share a common artistic language as well as a dedication to a company spirit of working together to create vibrant, moving, entertaining theater.

“The space, the people, the instructors made it so that I dared take my acting to higher levels and push myself to the limit. It made me feel like an actor again – not an auditioner, which is how LA sometimes makes you feel.” — Kristin Proctor Campbell

CLASSES OFFERED

CLASSICAL STYLES
A fourteen-week scene study class for actors from 18 to 35 years old. Each four-week segment focuses on a different aspect of classical theater, including modern classics. In the Fall, each month is divided into Shakespeare, the Greeks, and work on Shaw, Wilde and Coward. The Spring session covers Chekhov, Ibsen and Strindberg, American Classics, and Moliere and Restoration Comedy. Jeanie Hackett (actress, teacher, and author of The Actor’s Chekhov and Towards Mastery) is the principal moderator with a variety of guest moderators leading the class every other week.

Class Details & Requirements
Classical Styles meets Tuesday evenings from 7 -11 pm and culminates in a scene presentation open to Antaeus members and invited guests. Students are eligible for casting in Antaeus Company readings, projects, and productions, and the presentation is the primary way Company members get to know students and their work. 24 – 26 students participate in each session, students do at least three new scenes and two reworks over the three month period. Admission by audition only. We look for strong, classically trained actors, as well as younger actors who show genuine potential for meeting the challenges presented by classical texts.

“One of the best parts of Antaeus is that the class leads to a performance. You get the excitement of moving towards something.” –Ryan Spahn

SHAKESPEARE WORKOUT
Experience the challenges and rewards of playing Shakespeare in sessions moderated by a rotating group of L.A.’s top actors, directors and acting teachers. An ongoing, year-round program, SW features a different guest moderator every month.

Class Details & Requirements
Open to actors of all ages and levels of experience, the workout focuses on text analysis, monologue and scene work. Open to actors in of any age with the discipline and potential skills for classical work. This workshop meets Tuesdays from 2 – 5 pm for twelve (12) weeks. Actors new to the workshop commit to an initial 12-week session; returning actors may join the workshop on by the month. We are looking for actors of any age eager to learn or re-discover the skills required for dealing with Shakespeare’s text.

INTENSIVE IMMERSION

These workshops focus on a single playwright, style, or acting technique, are led by a master teacher and culminate in a presentation for Antaeus Company members and guests. In the past, these workshops have included Dakin Matthews’ Intensive Immersion in Shakespeare and John Achorn’s master class in Commedia dell’Arte. Future Intensive Immersions may include a workshop in myth and mask work led by Andy Robinson, a Russian Theater/Chekhov Immersion led by Jeanie Hackett, and a Language in Shakespeare workshop led by Gregory Itzin and/or Alfred Molina.

Class Details & Requirements
These two-weekend long workshops are open to actors with extensive experience in classical theater, and by audition to actors who have completed Classical Styles. Actors recommended by Company members will be accepted without audition. Workshop fees vary according to program and length.

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The Antaeus Academy announces auditions!

Welcome to Another Year at the Antaeus Academy,

The prestigious Antaeus Academy announces auditions for the fall sessions of Shakespeare Workout and Classical Styles.   Become a part of a vibrant theater community as you tackle material that demands the utmost of your talent!Michael Hackett instructs on the Greeks


From A2 (Academy Company) member Chris Pine:

“What I enjoyed about the class was the feeling that good work was demanded of you.  It always felt like a ‘no bullshit’ class.  It wasn’t ‘Hollywood’: didn’t matter how you looked or how many credits you had.  You were being taught great literature, it’s analysis and its performance from people whose credits would make you blush.  And I loved that.  There’s a tremendous respect for the actor as an important artist that’s taught in the academy and reflected in the community as a whole.  I think that’s really it: the academy is a door into a wonderful community of actors who truly, wholeheartedly love what they do, and I am honored to be part of it.”

Our classes open for auditions include…

CLASSICAL STYLES!

An intense excursion in classical scenework, this 14 week workshop focuses on Shakespeare, The Greeks, and Shaw, Coward, or Wilde.

Taught by Artistic Director Jeanie Hackett with Company Member Geoffrey Wade and Artistic Associate Cindy Marie Jenkins, and featuring our usual dazzling array of expert guest moderators! Workshop culminates in a presentation for Antaeus Company members and invited guests.

Meets Tuesdays, 7 – 11pm beginning September 15th
Class fee: $550 for 14 week session
Class size: 24 – 26
Open to actors age 18 – 35

Past Moderators included: Rowena Balos, Annette Bening, Kate Burton, Brian Cox, Olympia Dukakis, Sheldon Epps, Sabin Epstein, Jeanie Hackett, Michael Hackett, Gregory Itzin, Jessica Kubzansky, Jonathan Lynn, Art Manke, Dakin Matthews, Alfred Molina, Tom Moore, Jeffrey Nordling, Stefan Novinski, Austin Pendleton, Andy Robinson, Stephanie Shroyer, Daniel Sullivan, Geoffrey Wade and many others

and SHAKESPEARE WORKOUT!

Experience the challenges and rewards of playing Shakespeare in sessions moderated by a rotating group of L.A.’s top actors, directors and acting teachers. Now an ongoing, year-round program, SW features a different guest moderator every month. Actors new to the workshop commit to an initial 12-week session; returning actors may join the workshop on a by-the-month basis. Open to actors of all ages and levels of experience, the workout focuses on text analysis, monologue and scene work.

Meets Tuesdays 2 – 5 pm, beginning September 8th
Class fee, new actors: $550 for initial 12 week session
Class fee, returning actors: $135 per month
Class size: 16 – 20 actors per class
Open to actors of all ages

Please email your picture and resume with audition request to academy@antaeus.org. Or, mail to:

The Antaeus Company
5114 Lankershim Blvd.
North Hollywood, CA 91601
Attn: Cindy Marie Jenkins

Upon review, you will be contacted for an audition appointment.

Please prepare one classical monologue, no longer than two-minutes.

Antaeus Diary: Day One of the Shakespeare Workshop

The Rookie Actor
By Richard Flores

Antaeus Diaries provide unique perspectives on Classical Theater from the Antaean point of view. In this installment, rookie actor Richard Flores describes his experiences on Day One of the Shakespeare Workshop at Antaeus.

Chills, sweats, and groans could be observed around the theater as actors — new and experienced — chartered through day one of The Antaeus Shakespeare Workout. The first day, I was so excited. I had been instructed to pick a monologue before class began. I picked Edmund’s first monologue from Act I scene 2 of King Lear. He seemed like a character that would be fun to play because of the duality of his character.

As we began the class, we were introduced to each other. Rowena Balos, our instructor, asked what our biggest acting block was. Since I’ve never acted, I looked back to the days I did Speech and said “My voice goes through puberty at times because the nerves get the better of me.”

As the class continued, we began exercises to take away our stiffness. “So far, so good,” I thought. But then we began other exercises that were out of my comfort zone. Rowena had us imagine our monologue and anything that might have led to that point of the monologue. Then she said, “Walk around and say what you think the character would have said before the actual monologue.”

I had a hard time talking to myself! I thought to myself, “This is so weird! I feel foolish speaking to myself walking around like a crazy kid in the midst of all these other crazies doing the same thing.” It was like a room full of schizos.

I knew I had to do it though; it had to pay off one day. Whatever Rowena wanted from me I was wiling to do – ridiculous or not. After all, much of acting requires situations where we’re out of our comfort zone. I know as the classes go on, I’ll gain confidence and it won’t be so tough to look like a crazy person.

I’m glad I’m going the classical route. I think classical theater needs be kept around despite today’s generation being turned off. It seems theater is for an older crowd. I think youth miss out on the importance of seeing what catalyzed today’s acting.

It’s also a community thing. People gather together in once place to watch some of the greatest stories of all time, and at the same time intellectually stimulate the mind rather than sit at home alone watching mindless television, as seems to be the trend today. I don’t even think people sit around the table anymore to have dinner; the dinner table today is simply for decorative purposes. Theater brings some of that communal aspect back. This is something people have taken for granted nowadays and must be kept alive. Don’t get me wrong, I love TV like any other American, but really, there’s something about being there live that makes me feel part of something.

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